Feb 2009 contact / help Track Name: Long Hard Road Long Hard Road © Wendell Kimbrough, 2008.

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So you're listening to a nice, pleasant song about and. Then the final note of the song falls and, instead of a nice soft resolution, it's a heavily played note in a minor. Then the music fades into a series of dissonant arpeggios with a creepy mechanical voice muttering some nonsensical gibberish that sounds like Satan reciting an story. It's surely not the ending you expected this particular song to have — and if you happen to be really unlucky, it'll like some self-regenerating. Musicians most likely put these kinds of stingers at the ends of their songs to make them memorable.

Last Note Nightmare can be very comparable to a, especially of the variety. Uni en iso 12100 pdf writer. The opposite of a Last Note Nightmare is. (Music geeks might be interested to that there is an, the 'Picardy third,' or 'Tierce de Picardie' in which when a song that has been in minor the whole time goes into major on the very last chord.) Compare and. 'WHAT DO YOU MEAN, IT'S NOT IN THE COMPUTER?!?!' • The end of 'Hollywood' consists of a heavily synthesised, androgynous voice saying Push the button!/Don't push the button! Which gradually slows down as the background music fades and becomes a contorted, almost demonic mess.

• Here's an inversion of the trope: 's 'Another Part of Me' from begins with an note, but becomes a normal MJ song after that. • The singles 'Dirty Diana' and the much more well-known 'Smooth Criminal', both from begin with similar noises. The video for the former ends with the same noise, which acts as a very effective soundtrack to the video's. • 'Stranger In Moscow' from, a slow, moody ballad, ends with a man whispering menacingly in Russian over the end. Chills right up the spine.

Allegedly this is a KGB agent interrogating us. The liner notes for Michael's album Blood on the Dance Floor: History in the Mix give a translation: 'Why have you come from the West? To steal the great achievements of the people, the accomplishments of the workers.' • The ' version of 'Superstar' has a morose and unsettling resolution. • 's 'That's The Way I've Always Heard It Should Be', already a rather dark and cynical song, ends with her vocal echoing off very eerily. • The last part of Lara Fabian's is particularly creepy. While it could be argued that the sound fits considering the theme is Lara teaching young children about violence in history, it still doesn't change the fact that the last part of the song is incredibly creepy.

In fact, watching the video only adds to the dread the song makes you feel. • Scissor Shock's • Inverted with the extended mix of song 'Jungleland'. It starts out with heavy breathing, with starts getting louder, and louder, AND LOUDER! The rest of the song is just awesome though. • Played straight with 'Murder Story,' the last song on their first album.

The sudden ending is quite jarring, and makes listening to their second album even creepier. • 'Somehow' by Drake Bell is ostensibly about a battered wife who eventually decides she's had enough, weighs her husband down and throws him into the lake, and is now pondering how to cover it all up.

This is creepy enough, but the slow, dark, acoustic guitar-y song ends with a snippet off cheerful piano music, which suggested that the woman snapped entirely and is now in a state of cheerful, giggling insanity. • The end of 'Pleasant Valley Sunday' by is pretty unnerving. At the end, the cheerful harmonies blur into a fuzzy, echoing, almost unrecognizable cacophony. Scary indeed, if you've never heard it before. • by Blood, Sweat and Tears is a fairly mellow jazz-rock fusion song, often used as an example of the genre.

Song of Myself By 1819-1892 1 I celebrate myself, and sing myself, And what I assume you shall assume, For every atom belonging to me as good belongs to you. My tongue, every atom of my blood, form'd from this soil, this air, Born here of parents born here from parents the same, and their parents the same, I, now thirty-seven years old in perfect health begin, Hoping to cease not till death. Elenco cap italiani pdf converter. 2 Houses and rooms are full of perfumes, the shelves are crowded with perfumes, I breathe the fragrance myself and know it and like it, The distillation would intoxicate me also, but I shall not let it. I loafe and invite my soul, I lean and loafe at my ease observing a spear of summer grass. Creeds and schools in abeyance, Retiring back a while sufficed at what they are, but never forgotten, I harbor for good or bad, I permit to speak at every hazard, Nature without check with original energy.

However, after the lyrics end comes a Last Note Nightmare that spans a quarter of the song. The music continues repetitively, but is interrupted - twice - by some frankly demented carnival music. On the third interruption, the carnival music mixes with the 'normal' music and slowly overwhelms it before grinding to a halt (at which point the band members can be heard chuckling and admitting that 'That wasn't too good.'